The same eye I bring to families and portraits — real moments over posed ones — works just as well on the field, the court, or the course.

Effort shows up on a face in a way that's hard to fake. The swing right before contact. The mile that's harder than the last one. The second right after crossing the line. Those are the moments I look for, whether I'm shooting a marathon, a game, or a meet.

Below is a look at recent work, including the NYC Marathon.